PAUL SCOFIELD, 1922-2008. Triple crown achieved at age 47 with an Emmy for outstanding single performance by an actor in a leading role for "Male of the Species." Preceded by a best actor Tony for "A Man for All Seasons" in 1962 and a best actor Oscar in 1966 for recreating the role onscreen.
This post will be massively deficient. To know and appreciate Paul Scofield is to have experienced his work onstage and I, of course, was not privileged to have seen his portrayals of Hamlet, Lear and Salieri and his interpretations of Ibsen, Shaw and Marlowe. I have seen him in two movies: 1994's Quiz Show, for which he nominated for an Oscar, and 1966's A Man for All Seasons, for which he won. In both movies he plays men of principle who do not waver under extreme circumstances.
"Your name is mine!" he growls at Ralph Fiennes, who plays his cheating son in Quiz Show.
"I am commanded by the king to be brief, and since I am the king's obedient subject, brief I will be," he says before his execution in A Man for All Seasons. "I die His Majesty's good servant, but God's first."
Two thirds of his Triple Crown he owes to Robert Bolt, who wrote the stage play and screenplay for "A Man for All Seasons," in which Scofield plays Sir Thomas More, the English statesman who stood up to Henry VIII. The film, for me, is a bore. Scofield's character seems to exist in spite of it. It's a humble performance, befitting both More and Scofield himself, who refused a knighthood in the '60s and eschewed all manner of limelight. He never went to the Oscars or gave a TV interview, never engaged in self-promotion and always returned to his family when the work was done. He was impervious to any kind of corruption, small or large, however inconsequential. View the clip below to see how he invests More with his gracefully adamantine spirit.
"Male of the Species," a Hallmark movie that won him his Emmy, seems interesting but remains unavailable for rental. He, Sean Connery and Michael Caine play three iterations of malehood and, of course, Scofield represents the principled and fatherly. A man so disciplined and pure in his personal life was able to approach each role as a blank slate, to sublimate his imposing physical features depending on his task. This was a man with an utter lack of vanity.
What I still would love to see: He and Katharine Hepburn in A Delicate Balance, in John Frankenheimer's The Train and, of course, in Zeffirelli's Hamlet and Branagh's Henry V. If anyone out there has more personal or qualitative thoughts on Scofield, please leave them in the comments.
This is part six of The Triple Crowners, an 18-part series celebrating the actors who have won an Oscar, a Tony and an Emmy. Check back soon for part seven, featuring one of the most terrific (truly terrific) performers of all time. Or catch up with previous installments here.