Ryan is one artist's plea with himself and his idol to keep at it -- "it" being life, art, and everything in between. The film's greatness lies in its tone, which is elegiac rather than sympathetic, and its animation, which sees people as industrial rainbows marked with individual red-orange-yellow-green-blue-violet badges of courage. Landreth will win the Oscar for which Larkin himself was nominated in 1970. The award will be a testament to both.
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