Dunno why, but I like this photo. An unlikely crew at some post-ceremony sh*tfest. I can't wait for the day when I'm over the Oscars. But I ain't yet. So, here's a rundown on the ceremony, which was long, yes, but let's get over ourselves. No one is holding a gun to your head and telling you to watch. Just go to bed if you're sick of it.
Hottest winner: Ari Sandel, who won for his live action short, West Bank Story. And a good speech, too.
Best dressed: Milena Canonera, costume designer for Marie Antoinette. I was thinking before the show, "Why don't more women wear tuxes to these things?" And I loved how she thanked Hugh Hudson and "my great master," Stanley Kubrick.
If you want to hear something really funny, click here and then scroll down and hit the Audio Slide Show on the left hand side. "JENNIFER! THE BACK OF THE DRESS! I NEED TO SEE THE BACK OF THE DRESS!" Who is that woman? We're a strange species.
I'm still angry about the abbreviated performance clips for the acting categories. Hey, I've got an idea: Get rid of pointless swill like Michael Mann's absurd "America!" montage. And maybe start the show at 8, not 8:30.
Funny guy: George Lucas, who was pitch-perfect in his sad-sackness opposite Coppola and Spielberg, who are each 100 times the filmmaker he is. Also, his hair is astonishing. Also, Will Sasso as Lucas on MADtv.
Of note: The Departed is the antithesis of the typical Oscar best picture. It is bloody and cynical, with no uplift or redemptive statement about the human condition. Even The Silence of the Lambs (arguably the darkest best picture) had something rallying to say about femininity, which wrested itself from the chokehold of misogyny in the film's climactic sequence. The previous 78 best picture winners either said "People are good" or "Some people are good." The Departed is the first best picture to say, flat-out and with force, "People are sons of bitches." Am I right?
This will be updated with more thoughts throughout the day.
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