Overheard about Margot and the Wedding: "It's so dysfunctional. " "Very well-acted." "We're not members of the Nicole club, but she was great." Also pretty good is Jack Black. I bet he'll get some awards traction.
I think Kidman is a great actor, but she's making too many movies. I think her performance in Margot would be all the more special if she allowed some breathing room between projects. She is not necessarily a chameleonic actor, so being too prolific is working against her. As for the movie, the more it settles in my brain, the more I see it as just a medley of button-pushing. Every scene is devoted to one character pushing another character's buttons through an intermediary. I guess that's life, but it gets repetitive.
People are still buzzing with admiration for Blanchett's performance in I'm Not There. Otherwise seen:
L'Amerique Lunaire. A 1962 short by Francois Reichenbach with a beautiful, jazzy score by TFF tributee Michel Legrand. It's about Native Americans, and the "men who cannot live without machines." It was introduced as a prototype of Koyaanisqatsi. It's a beautiful and rarely scene meditation on how everything passes away except our beautiful land.
Brick Lane. Heavy-handed and forgettable drama about a Bangladeshi woman in London who yearns for love and for her homeland.
Jellyfish. Winner of the Camera d'Or at Cannes, this is an Israeli everyone-is-connected dramedy, similar in conceit (but inferior in execution) to the Czech film Up and Down, which played Telluride three years ago.
Susan Hayward in "I'll Cry Tomorrow"
8 hours ago